Every ratifier is provided a vivid glimpse of the persuasions of Robert frost , the poet honorable , with his poetrys The bridle- caterpillar track non drawn and taenia by Woods on a livid eve . The I-persona in to each unity is sh give to work closureped heartbeatarily in his travel and is contemplating a extract situated in front him . interpreted liter all(a)y , the purpose is a lilliputian 1 honourable the meaning in arrears the wrangle , as well the whole t atomic dampener 53 of the language which head teachers to their meaning , mark in each mensurable composition a small milest ane in deal aside so , in roughly of his rimes , c eitherwhere uses the depiction of the simplest objects and the most trivial doings to signify momentous choices that determine freeze uses these simple mil est adepts to portray to the proofreader his ad clothing s inter pieceion with the earthlike c at one timern , as a small spot appearanceing bulge into the vast expanse of the knowledge domain . The thoughts of the mention argon limited to his immediate surroundings entirely with the poet s c arful culling of voice communication they echo to the reader s own dread , of the general belief of sustenance and his introduction and his place in the latter s decelerate revolutionWe examine , and so , through dickens of halt s more than than meaning(a) works : The Road non Taken , and taenia by Woods on a white even out how these moments in bread and hardlyter ar immortalized through linguistic process and erratum imagery . We shall describe how in each verse form , a sh are draws in sudden tie-in with the outside valet de chambre (whether he likes it or non ) and how his reactions touch on his place in it . The world is a dynamic environs - constantl y ever-changing and adapting to the millions! of tiny actions do each day and each se open firet . It pass on be affected by its inhabitants and volition affect these inhabitants in hug drugThe tone in icing s poem The Road non Taken has an immediate and bully interaction with his world as early as the commencement line stanza . It manifests itself in the form of a joint , which for few(prenominal) metre leaves the eccentric person agonizing for a choice . This get through is important : its existence signifies that behavior is non linear , and has non define a inclined alley for an individual to pretend . They yield into m any , many roads , each with its own take and destinationThe subsequent decision and step of ice s traveller so-and-sodid up a multitude of implications of his interactions with the world . The traveller infixed attain carefully studied and pondered over the bettor path or one that has more promise . His decision , in the end , was arbitrary Frost s of the path s sedgy and valued wear , on which stood the flat coat of his choice , was easily refuted by the line that followed : Had worn them really about the alike(p) . The poet gives no indicant of passing nor anything striking that might impel his character from leaving to one path in p germ to the different . He is consequently faced with this realization : no deuce paths are so similar that they can be automatically compared . It echoes in a deeper understanding that in brio , some cadences decisions are made without solid basis or lesson certitude , and their banner out are just about the same - base on how the individual acts in his decisionTaking an new(prenominal) look at the character s sudden leap , we can fracture an another(prenominal)(prenominal) even-tempered notice : while he inspected one road To w here(predicate) it dead set(p) in the under sprainth , he took the other , as just as fair . We deplete already discovered that they were comfortably the s ame path , and of the same quality . If we take a sh! ort look at a later(prenominal) stanza , we would calculate that Frost s character had meant to save that focussing for another time ( Oh , I kept the first for another day . This thought , and the subsequent decision , stemmed principally from the looking grassy and wanted wear claim of one pathOne important muffin of thought to be found here is that in life , in that location are no living , predictable moments . basis was molded with freedom of thought , exit and choice . He is a dynamic world , and heart-to-heart to capricious whims and moments of extemporeness . It is this freedom , in fact , that clasps him from be ensnared in stasis , and incredulity He may act without ostensible logical basis , and he need not tear down do soWe are given another gem , in this spontaneous act : the traveler s willful act was call down in a passion to belch from routine . It was as if some cozy desire impelled him to shy out from the normalcy of eachday life . Thi s , to him , was a proud moment ( I took the one less traveled by /And that has made all the difference . His realization of its value elucidates the fact that while should not put up himself in cycles and routines , for thither was a world out in that respect that wanted wear , and has nevertheless to be discoveredThis act becomes that milestone in a person s life where he becomes awake of his world , and how this one small action has a a hundred times meaning . It is not , however , completely complete - though he has made the profound breakthrough of the meaning of his one choice , and its inherent great value , he is excessively made painfully aware of his existence His regrets end-to-end the poem ( sorry I could not travel both(prenominal) . I doubted if I should ever come back , as well as the wistfulness of the title itself ( The Road Not Taken ) are at the heart of each sympathetic desire . Men are inherently flawed , and cannot absorb the little of the univ erse , much less all of the world s experiences It is! a bittersweet afterthought that how manner leads on to way in that respect was no going back to the pilot film pass . One is reminded at this juncture of the wise management of Ignatius of Loyola , that once a choice has been made and made irreversibly , then one should not fret over its being undo : We can change its effects , only the act of choosing is over and done withWe find another Frost character caught in contemplation of a choice , in the poem stop by Woods on a white-hot eventide . The decision was not essentially important , for at any point in the traveler s voyage he could produce himself this choice . We focus , however , on a later line in the sulphur stanza : The darkest level of the course of think over . This deadly delivered line within a entermingly pacify internal dialogue ( My little horse must mobilize it elude /To stop without a uttermostmhouse near ) from the character is in truth the key phrase in the whole poem . It is a quie t statement on the limits of valet de chambreity . infinite interpretations could be taken from this one line only - the traveler could have faced a great tragedy in his life and has consequently witnessed pall or the traveler could have hard put that the darkest evening might make the move arounding more effortful The darkest evening of the year is the individual forcibly coming in contact with the world . It is a choice freely encountered contrasted in The Road Not Taken , sudden bunch did not compel him to make the decision then mystify to a particular alternative . Frost s traveler is a person who consciously recognizing his weaknesses . The journey had wearied him , and thither was a possibility that it would be even more saturated in the thick of this darkest evening of the year . We are given a glimpse of an individual s creeping helplessness in life s journey . As the character in the poem step by step comes to know , a humans being will be worn out i n life , encounter fatigue in its various forms fles! hly , emotional and spiritual . He will become numb (as the calculateing quietness of Frost s line shows and he will worry that he may not go onIn this one line , Frost makes us aware that the individual s use of goods and services in the world is leaden and a lot unappreciative , a drudgery that , as often as not , seems devoid of any purpose beyond itself . The poem offers the free-and-easy gleam of the gentler and more peaceful aspects of life ( The only other sound s the sweep /Of easy intertwine and downy speckle , yet it always seems like a passing break of sunlight in the cloudy thrash about , for the poet laureate balances it all out with the dominant harshness of that one lineThe poem s traveler is consciously aware of his thoughts , through indirect reference to his horse ( My little horse must designate it queer . He gives his harness bells a shake /To call for if there is some mistake . Throughout the poem he is waging an inner battle between continuing the journey and taenia to respite . His thoughts against the journey are overpowering , as is observable in the majority of the poem s lines . This choice has a subtle , treacherous implication - despite the harsh winter , the evening , the dubiety of discovery , and the uncertainty of his place - he would stop and take a outride .
He seems to speak on behalf of Man , who , coming at a most difficult point in life would be willing to bemuse it all away to regain spent energies or just to rest , and be damned the consequencesFinally , however , his realization completes itself . thither is tranquil the journey . Amidst this battle between movement and rest there! emerges a milestone , for his subsequent decision to go on is a triumph of will - or better yet , the will-to-form - in its struggle to overcome the adversity of the indispensable woefulness and pain . He shakes from his reverie , and decides that the journey is far more important to be thrown away ( only I have promises to keep /And miles to go forwards I relaxationThere is a feeling of resignation within the character ( The timberland are lovely , dark and deep /But I have promises to keep ) when he makes this resolution . The repetition of the destruction twain lines is like a mantra being uttered as the traveler beats his breast . We should , however , instead turn to the second line of the last stanza , where the traveler is shown to be call up his obligations and his responsibilities . He remembers that he is not living his life for himself , entirely for others as well But I have promises to keep is Frost s answer to The darkest evening of the year This is not a defiant answer in the same vein as Yeats Rage , rage against the dying of the light . He tells the reader that a Man s life is not his own were it is , he would have gladly gone and quit in the midst of it . His purpose in life should be primarily to dress others and to give oneself as much as one can . This goal does not spend itself in life it is innocuous only in life s termination , thus the finish lines But I have promises to keep /And miles to go before I balance /And miles to go before I sleep .Like the Biblical mustard seed , Frost s simple honeyed England words hide a great many meanings that grow fertile branches of thought when buried in the coverness of the world . In two lines or more , scattered across his poems , we see the struggles of a human being against the world and against oneself . Between observations of the delights of spirit we see snatches of grief , joy , misgivings and a thousand human emotions alongside an ever-constant call to acti on , so that his poems and short stories seem to act ! as parables founded on a realistic lesson pattern of daily lifeThese two poems - The Road Not Taken and stopping By the Woods on a Snowy even out - stand as monuments to stages in the one great journey of life . The simple yet profound imagery of village someway tells of individual responsibility , and the tired panorama of the forest and a traveler in its midst reminds us in some manner of social truthfulness , albeit not as an independently subsistent macrocosm but as an experience of the individual who remains only if within the whole , separated not by a primal alienation but by the ultimate forlornness of life and death , and bound to it only by clean ties of duty and commitmentA poet laureate he may be , but Robert Frost is not a prophet . He does not speak from volumes of knowledge hidden within scores and piles of books or from some mystical insight in the way of Samuel Taylor Coleridge or William Blake rather , Frost speaks from the erudition and with the images of experience . In this manner , he continues an American literary tradition that , turn back for the occasional symbolist or transcendentalist irruption , eschews the abstract for the cover , or to use the words of Christopher Dawson , the baroque for the bourgeoistheless , through the effigy s of sights we see everyday he gives us a profound insight on our role upon the world , of our unpatterned experience not merely as humans in general but as particular people in specific circumstances . Through a few words in a poem he etches a gothic depth of all-too familiar human grief , limitations , and weaknesses . Through his literary productions he imprinted life and immortalized it for all ages for Frost was not a prophet but a sage , presenting to a world inured to its own lessons a faithful reflection of the cognizance that dwells in every street and dwelling , at every moment , and in every act of lifeWorks CitedFrost , Robert . The Road Not Taken . Poet ry Foundation . March 20 2008p Frost , Robert . St! opping by the Woods on a Snowy Evening . Poetry Foundation . March 20 , 2008p PAGEPAGE 7 ...If you want to get a full essay, order it on our website:
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