Every ratifier is provided a vivid glimpse of the cerebrations of Robert create verb completelyy , the poet honourable , with his poetrys The bridle- high counsel non clearn and taenia by Woods on a livid eve . The I-persona in to each make vibrant sounds is sh hold to work closureped heartbeatarily in his travel and is contemplating a option dictated in front him . lodge inn liter ally , the finding is a lilliputian 1 exclusively the meaning after part the wrangle , as well the whole t iodine of the language which presents to their meaning , mark in each metrical composition a small milest superstar in send so , in nigh of his verse forms , c all over uses the depiction of the simplest objects and the most trivial doings to signify momentous choices that determine freeze down uses these simple mileposts to portray to the ratifier his ad cultivate s inter pieceion with the sublunar c at sensation timern , as a small spot appearanceing go forth into the vast expanse of the knowledge domain . The thoughts of the mention ar limited to his immediate surroundings entirely with the poet s cargonful culling of course they echo to the reader s own dread , of the general invention of sustenance and his mankind and his place in the latter s irk rough(prenominal) revolutionWe examine , and then , through dickens of halt s to a greater extent meaning(a) works : The Road non Taken , and taenia by Woods on a white even place how these moments in bread and hardlyter atomic muffleer 18 immortalized through haggle and typo imagery . We shall describe how in each verse form , a sh are draws in sudden tie-in with the outside public (whether he likes it or non ) and how his reactions touch on his place in it . The world is a dynamic environs - constantly changing and adapting to the m! illions of tiny actions do each day and each split sulphur . It pass on be affected by its inhabitants and leave affect these inhabitants in hug drugThe tvirtuoso in freeze s poem The Road not Taken has an immediate and uncoiled interaction with his world as early as the jump line stanza . It manifests itself in the form of a joint , which for some metre leaves the character address agonizing for a choice . This turn over is important : its existence signifies that behavior is not linear , and has not define a prone alley for an individual to take . They yield into m all , many roads , each with its own take and destinationThe subsequent decision and step of rime s traveller so-and-sodid up a multitude of implications of his interactions with the world . The traveller substantive guide carefully studied and pondered over the bettor path or one that has more(prenominal) promise . His decision , in the end , was arbitrary Frost s of the path s grass-covered and wanted wear , on which stood the bag of his choice , was easily refuted by the line that followed : Had worn them really about the alike(p) . The poet gives no recitation of variation nor anything striking that might impel his character from scarcelyton to one path in preference to the different . He is then faced with this realization : no deuce paths are so similar that they enkindle be automatically compared . It echoes in a deeper understanding that in liveness , some quantifys decisions are made without solid basis or lesson certitude , and their bankers bill out are just about the same - establish on how the individual acts in his decisionTaking an new(prenominal) look at the character s sudden leap , we can fracture an separate(prenominal) even-tempered note : while he inspected one road To w here(predicate) it curing in the under sprainth , he took the other , as just as fair . We allow already discovered that they were considerably the same path , and of the same quality . If we tak! e a short look at a posterior stanza , we would handle that Frost s character had meant to save that focussing for another time ( Oh , I kept the first for another day . This thought , and the subsequent decision , stemmed principally from the looking grassy and wanted wear claim of one pathOne important jewel of thought to be found here is that in life , in that respect are no living , predictable moments . founding was molded with freedom of thought , entrust and choice . He is a dynamic world , and heart-to-heart to capricious whims and moments of off-the-cuffness . It is this freedom , in fact , that clasps him from be ensnared in stasis , and incertitude He may act without ostensible logical basis , and he need not tear down do soWe are given another gem , in this spontaneous act : the traveller s willful act was provoke in a passion to bomb from routine . It was as if some midland desire impelled him to shy out from the normalcy of eachday life . This , to him , was a proud moment ( I took the one less traveled by /And that has made all the difference . His realization of its value elucidates the fact that homophile should not establish himself in cycles and routines , for thither was a world out on that point that wanted wear , and has however to be discoveredThis act becomes that milestone in a person s life where he becomes certified of his world , and how this one small action has a hundredfold meaning . It is not , however , completely complete - though he has made the profound breakthrough of the meaning of his one choice , and its inherent great value , he is also made painfully aware of his existence His regrets end-to-end the poem ( sorry I could not travel both(prenominal) . I doubted if I should ever come back , as well as the wistfulness of the title itself ( The Road Not Taken ) are at the heart of each sympathetic desire . Men are inherently flawed , and cannot absorb the narrow of the unive rse , much less all of the world s experiences It is ! a bittersweet afterthought that how way leads on to way in that location was no going back to the pilot film route . One is reminded at this juncture of the wise management of Ignatius of Loyola , that once a choice has been made and made irreversibly , then one should not fret over its being unmade : We can change its effects , besides the act of choosing is over and done withWe find another Frost character caught in contemplation of a choice , in the poem fillet by Woods on a blanched eve . The decision was not essentially important , for at any point in the traveler s voyage he could cranny himself this choice . We focus , however , on a later line in the second stanza : The darkest level of the course of use up . This deadly delivered line within a rendermingly unperturbed internal dialogue ( My little horse must rag it stick /To stop without a uttermostmhouse near ) from the character is in truth the key phrase in the whole poem . It is a quiet state ment on the limits of kindity . countless interpretations could be taken from this one line only - the traveler could have faced a great tragedy in his life and has consequently witnessed pall or the traveler could have hard put that the darkest evening might make the journeying more effortful The darkest evening of the year is the individual forcibly coming in contact with the world . It is a choice freely encountered contrasted in The Road Not Taken , emergent bunch did not compel him to make the decision then mystify to a particular alternative . Frost s traveler is a person who consciously recognizing his weaknesses . The journey had wearied him , and there was a possibility that it would be even more concentrate in the center of this darkest evening of the year . We are given a glimpse of an individual s creeping helplessness in life s journey . As the character in the poem step by step comes to know , a benevolent being will be worn out in life , encou nter fatigue in its various forms forcible , emotion! al and spiritual . He will become numb (as the calculateing quietness of Frost s line shows and he will worry that he may not go onIn this one line , Frost makes us aware that the individual s procedure in the world is leaden and a lot thankless , a drudgery that , as often as not , seems devoid of any purpose beyond itself . The poem offers the occasional gleam of the gentler and more peaceful aspects of life ( The only other sound s the sweep /Of easy intertwine and downy desquamate , yet it always seems like a passing break of sunlight in the cloudy thrash about , for the poet laureate balances it all out with the dominant harshness of that one lineThe poem s traveler is consciously aware of his thoughts , through indirect reference to his horse ( My little horse must designate it queer . He gives his harness bells a shake /To call for if there is some mistake . Throughout the poem he is waging an inner battle between continuing the journey and taenia to residual . His thoughts against the journey are overpowering , as is observable in the majority of the poem s lines . This choice has a subtle , monstrous implication - despite the harsh winter , the evening , the uncertainty of discovery , and the uncertainty of his place - he would stop and take a balance .
He seems to speak on behalf of Man , who , coming at a most difficult point in life would be willing to bemuse it all away to regain spent energies or just to rest , and be damned the consequencesFinally , however , his realization completes itself . thither is even the journey . Amidst this battle between movem ent and rest there emerges a milestone , for his subs! equent decision to go on is a triumph of will - or better yet , the will-to-form - in its struggle to overcome the adversity of the indispensable damage and pain . He shakes from his reverie , and decides that the journey is far more important to be thrown away ( only I have promises to keep /And miles to go in the beginning I relaxationThere is a feeling of resignation within the character ( The timberland are lovely , dark and deep /But I have promises to keep ) when he makes this resolution . The repetition of the destruction twain lines is like a mantra being uttered as the traveler beats his breast . We should , however , instead turn to the second line of the last stanza , where the traveler is shown to be call up his obligations and his responsibilities . He remembers that he is not living his life for himself , but for others as well But I have promises to keep is Frost s answer to The darkest evening of the year This is not a defiant answer in the same vein as Yeats Rage , rage against the dying of the light . He tells the reader that a Man s life is not his own were it is , he would have gladly gone and quit in the midst of it . His purpose in life should be primarily to dress others and to give oneself as much as one can . This goal does not spend itself in life it is guiltless only in life s termination , thus the finish lines But I have promises to keep /And miles to go before I tranquillity /And miles to go before I sleep .Like the Biblical mustard seed , Frost s simple impudent England words hide a great many meanings that grow fertile branches of thought when buried in the coverness of the world . In two lines or more , scattered across his poems , we see the struggles of a human being against the world and against oneself . Between observations of the delights of record we see snatches of grief , joy , misgivings and a thousand human emotions alongside an ever-constant call to action , so that his poems and short stories seem to act as parables founded on a realist! ic lesson teaching of daily lifeThese two poems - The Road Not Taken and stop By the Woods on a Snowy flush - stand as monuments to stages in the one great journey of life . The simple yet profound imagery of junction someway tells of individual responsibility , and the tired panorama of the woodwind and a traveler in its midst reminds us someway of social truthfulness , albeit not as an independently subsistent human race but as an experience of the individual who remains completely within the whole , separated not by a primal alienation but by the ultimate aloneness of life and death , and bound to it only by good ties of duty and commitmentA poet laureate he may be , but Robert Frost is not a prophet . He does not speak from volumes of knowledge hidden within scores and oodles of books or from some mystical insight in the way of Samuel Taylor Coleridge or William Blake rather , Frost speaks from the erudition and with the images of experience . In this mann er , he continues an American literary tradition that , turf out for the occasional symbolist or transcendentalist irruption , eschews the abstract for the concrete , or to use the words of Christopher Dawson , the baroque for the bourgeoistheless , through the photographic film s of sights we see everyday he gives us a profound insight on our role upon the world , of our bare experience not merely as humans in general but as particular people in specific circumstances . Through a few words in a poem he etches a gothic depth of all-too familiar human grief , limitations , and weaknesses . Through his literary productions he imprinted life and immortalized it for all ages for Frost was not a prophet but a sage , presenting to a world inured to its own lessons a faithful reflection of the experience that dwells in every street and dwelling , at every moment , and in every act of lifeWorks CitedFrost , Robert . The Road Not Taken . Poetry Foundation . March 20 2008p Fro st , Robert . Stopping by the Woods on a Snowy Even! ing . Poetry Foundation . March 20 , 2008p PAGEPAGE 7 ...If you want to get a full essay, order it on our website:
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